unknow artist  Related Paintings of Anonymous :. | A nobleman visits an artist in his studio | Portrait of a lady | Karel Reyniersz (1604-53). Gouverneur-generaal | Landscape with the Repentant Mary Magdelene | Adoration of the Child |
Related Artists:
Karl Bodmer
Swiss Painter, 1809-1893,Swiss painter and graphic artist, active in the USA and France. His earliest exposure to art probably came from his uncle, the landscape painter and engraver Johann Jakob Meyer (1787-1858). When he was 22, Bodmer moved to Paris, where he studied art under Sebastien Cornu. In Paris he met his future patron, Prince Maximilian of Wied-Neuwied, who was planning an ambitious scientific expedition to North America. Bodmer was engaged to accompany the expedition and to provide sketches of the American wilderness. After touring the East Coast, the party made their way westward via the Ohio and Mississippi rivers to St Louis, MO, and in 1833 travelled up the Missouri River into country scarcely inhabited by white men. On the journey north to Ft MacKenzie, WY, Bodmer recorded the landscape and the groups of Indians they encountered. Having wintered in Ft Clark, ND, they returned to New York and then Europe in 1834.
CAVAZZOLA
(b. ca. 1486, Verona, d. 1522, Verona) Italian painter Italian painter..was an Italian painter of the Renaissance, active mainly in his hometown of Verona. He appears to have been a pupil of one of the brothers Morone, likely Francesco Morone
Gerrit van Honthorst
1590-1656 Dutch Gerrit Van Honthorst Galleries Gerard van Honthorst (November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century. Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes. The queen of Bohemia, sister of Charles I of England and electress palatine, being in exile in the Netherlands, gave Honthorst her countenance and asked him to teach her children drawing; and Honthorst, thus approved and courted, became known to her brother Charles I, who invited him to England in 1628. There he painted several portraits, and a vast allegory, now at Hampton Court, of Charles and his queen as Diana and Apollo in the clouds receiving the duke of Buckingham as Mercury and guardian of the king of Bohemia's children. Charles I, whose taste was flattered alike by the energy of Rubens and the elegance of Van Dyck, was thus first captivated by the fanciful mediocrity of Honthorst, who though a poor executant had luckily for himself caught, as Lord Arundel said, much of the manner of Caravaggio's colouring, then so much esteemed at Rome.